GOOD HAIR – Chris Rock hosts this interesting look into black hair and its influence in the black community. Everything from the texture of the hair itself, to the enormous cost of a weave (thousands of dollars), to the social place it holds for both men and women which involves unspoken rules between the sexes. I learned women won’t let you touch their weave and men know they aren’t allowed to touch their weave. And they can’t get it wet either. Men have them too. And everyone pays basically the cost of a mortgage to buy human hair imported from India. And it’s not a one-time purchase. Weaves have to be replaced…..frequently. I had no idea about any of this and found the whole piece fascinating. I certainly learned a lot including it’s a good thing I’m not part of this community….I could never afford it or deal with the commitment of having good hair. Cheers!! Boyfriends/Girlfriends – 0.

BATHTUBS OVER BROADWAY – Steve Young, long-time comedy writer for David Letterman, reveals his unique hobby in this quirky, off-beat documentary. Apparently back in the day, like mostly the 1950s-1970s, companies would produce full-length musicals (think Broadway) showcasing their products for in-house employees. These shows were recorded on LP albums for their employees only. Neither the shows, nor the albums, were ever seen or heard by anyone outside the company, and long-forgotten by everyone…..except Steve Young! Steve happened upon them by accident searching for comedy material for Letterman when Dave used to do his recurring record bit on his Late Night show. Some of these productions featured folks who became well-known and some who were talented but never heard of again…except by Steve Young! Turns out Steve discovered his passion! He has spent years searching for these albums, tracking down and meeting the talent who worked in them, and delivers a wonderful film documenting his journey as the process comes full circle. A wild, strange trip with a Broadway ending!! Cheers, Steve! Boyfriends/Girlfriends – 0.

OPERATION CHRISTMAS DROP – Yes, Folks, another Christmas film, this one based on the true story of the U.S. Department of Defense’s longest-running humanitarian airlift training operation. It began in 1952 when the U.S. Air Force made a special Christmas delivery to people living on some of the most remote islands in the world, airdropping more than 3,200 pounds of cargo onto their beaches. It continues to this day. I salute them. It’s great to hear about the good things America is doing for a change, in this case for 70 years. As for the film, it doesn’t check any of my boxes (except for Kat). But it will check all of yours…Merry Christmas! Cheers!! Boyfriends – 0; Girlfriends – 1.

THE ALPINIST – Endearing tale of Marc-André Leclerc who unintentionally gained recognition for his unmatched ability to free solo climb some of the tallest peaks in the world. Watching him climb was alternately breathtaking and calming . We are always on edge expecting him to fall, as he climbs with a steady, quiet grace that is almost meditative. He seems to become one with the mountain. He climbs only for himself because his relationship with this alpine terrain is personal and private. Add to this his humility and disinterest in fame or fortune, and we find ourselves falling in love, which is only exacerbated by his quirky, non-conforming personality. Diagnosed on the spectrum when he was young, he was never going to have a typical journey. He found himself, and his calling, climbing the Canadian Rockies. His soul-mate, Brette, shares his love of climbing and desire to live simply – she’s willing to sleep with him outside in a box or a tent, and she does. They’re darling. Free solo climbing means you go alone with very little gear or provisions. Marc almost never took even a cell phone. Many times he is bare-handed and rope free as he gently ascends the rock. His climbs are mesmerizing and have earned him the respect and admiration of his colleagues in the alpine world, and us too. Here’s to you Marc! Cheers!! Boyfriends – 1; Girlfriends – 1.

THE HOLIDAY FIX-UP – Yep. Another schmaltzy Christmas film. My peeps tell me this is the formula, and they like it! They don’t care if the outcome is predictable, they don’t care if there’s any chemistry between the actors, they don’t care if the storyline is stupid. They know the boy will get the girl in the end. They know the dialogue is corny. They all tell me the same thing – the only thing they care about is being able to watch some mindless entertainment in the midst of too much reality. And since it’s the holidays, having some Christmas cheer thrown in is gravy. I get it. There’s something to be said for this and all my friends who are glued to Lifetime and the Hallmark channel in December (and now Netflix). We all need our escape from the daily grind of life wherever and however we can find it. And I would work on any of these projects in a heartbeat! In fact, I expected to be working on this one, but alas, no. So if this genre is your escape, you will enjoy this film. It checks all the typical boxes. And it was filmed in Mystic, CT, which is always fun for those of us who call the nutmeg state home. The film’s okay, but a loving toast to my peeps! Cheers! Zero boyfriends/girlfriends…but you won’t care 😉

HOLIDAY IN THE WILD – another Christmas flick with Kristin Davis and Rob Lowe leading the sleigh! Unfortunately, I kept seeing Kristin’s character from Sex and the City (Charlotte) in her performance. And again, no chemistry between the leads. There was, however, loads of chemistry between everyone and the cast of elephants who are the real stars of the film. This movie is a tribute to these incredible animals and sheds light on the importance of conserving their habitat and protecting them from us. I thoroughly enjoyed watching them in every scene (of which there are many). The film is worth viewing for this reason alone, as we yawn our way through the predictable outcome of the human interactions. A hearty toast to the elephants! Cheers! Boyfriends – 0; Girlfriends – 0.

A CASTLE FOR CHRISTMAS – You guessed it. Another predictable Christmas film starring Cary Elwes and Brooke Shields. While the outcome is obvious, and there is zero chemistry between the two leads, I actually enjoyed this movie because it’s filmed in Scotland with an entirely Scottish cast (except for the two leads, but Cary delivers a bloody superb Scottish brogue). The scenery is breathtaking, the Scots are charming and the Christmas decor is beautiful. The dog, Hamish, is a scene stealer and the castle itself is gorgeous and an integral part of the story. Overall, this film is probably worth a wee dram. Cheers!

FREUD – dark, disturbing, graphic tale depicting the early work of a young Sigmund Freud. I liked it. Some scenes were definitely cringe-worthy, but I was fascinated nonetheless. Filmed in German and dubbed in English, the lead actor is riveting as a dashing, brilliant young doctor who genuinely cares about the mentally ill. (I doubt the real Sigmund Freud was anywhere near as handsome or captivating). His controversial methods are constantly thwarted and met with disdain. And there are supernatural overtones in the story which leave us wondering how much is insanity and how much is otherworldly. I’m also curious if any of the story is based on real events. We are always rooting for the good doctor, however. The work is exceptional and the series is only eight episodes. Cheers!! Boyfriends – 1; Girlfriends – 1.

JUST ANOTHER CHRISTMAS – I’ve decided that it’s hard to find good Christmas films, and this one is no exception. Think of it as a holiday Ground Hog Day minus the talent of Bill Murray. Christmas day repeats, and repeats and repeats for the main character who somehow doesn’t remember the rest of the year, but awakes each Christmas day for years, and years and years and only remembers past Christmases. Confused yet? Me too. Though I grow fatigued at all the repetition. There is nothing endearing about this picture. Filmed in Portuguese and dubbed in English, the lead actor is way over the top. Even in poignant scenes he is unable to deliver a convincing performance. The dialogue is forced and it feels like the film is desperately trying to force us into emotional reactions we aren’t having. None of the lessons the lead is supposed to have learned by the end which provide the inevitable reset of his life matter to us, and we don’t believe they truly matter to him. Skip it!